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Univers Date released 1957 Variations Univers ( French pronunciation: ​ ) is the name of a large family designed by and released by his employer in 1957. Classified as a sans-serif, one based on the model of nineteenth-century German typefaces such as, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. The original marketing for Univers deliberately referenced the to emphasise its scope.

Univers was one of the first typeface families to fulfil the idea that a typeface should form a family of consistent, related designs. Past sans-serif designs such as had much greater differences between weights, while loose families such as American Type Founders' family often were advertised under different names for each style, to emphasise that they were not completely matching. By creating a matched range of styles and weights, Univers allowed documents to be created in one consistent typeface for all text, making it easier to artistically set documents in sans-serif type. This matched the desire among practitioners of the ' for neutral sans-serif typefaces avoiding artistic excesses.

The design concept of Univers was intended to take advantage of the new technology of, in which fonts were stored as glass discs rather than as solid metal type and matrices for every size to be used. Deberny & Peignot had established itself as a leader in this technology, although as by the time of its launch metal type was still very popular the design was also released in this form. Univers was rapidly licensed and re-released by, Linotype,, and others for phototypesetting, for metal type and reproduction by typewriter.

Historian has described it as 'probably the last major' release of a large family as. Univers' is a distinctive 'et' ligature of a style popular in French-speaking countries. Frutiger's original ampersand was a true 'et' ligature, similar to that in among others. Frutiger later provided an alternative for non French-speaking countries in which the form might be less familiar. The Deberny & Peignot library was acquired in 1972.

It was transferred into the D. Stempel AG and Linotype collection in 1985 and 1989 respectively upon the Haas'sche Schriftgiesserei's acquisition and closure; it is now owned by following its purchase of in 2007. An independent version of Univers was licensed by the for its phototypesetting system with adaptations by; Frutiger wrote in his autobiography that he had some affection for it.

Comparison with Akzidenz-Grotesk, Folio, and Helvetica [ ]. Comparison of distinguishing characters in,,, and Univers 55 Univers is similar in design to other European grotesque fonts, of which Akzidenz-Grotesk, Folio, and Helvetica are among the most common. Differences include: • The tail of 'a' and the top of '1' are much less rounded. • Upper-case 'G' is formed without an arrow head (called a spur). • Both arms of 'K' join at the stem. • The tail of 'Q' runs along the baseline.

• The tail of 'R' is curved (compared with Akzidenz-Grotesk). • The top of 't' is angled. • The dot of the 'i' is not square but a rectangle. • Lower-case 'y' has a straight descender. • Many of the numerals in Univers have straight vs. Curved ascenders • Helvetica tends to have a slightly greater than Univers • Univers generally has quite a wide spacing between letters, and its low x-height gives it a more low-slung, splayed appearance than Helvetica, especially in bold.

Dutch font designer, while praising Univers for its 'almost scientific' range of weights, criticised it for its lack of originality: 'basing a sans serif on another is rather cheap.' Frutiger's later landmark sans-serif designs, and, would take very different, more and approaches. Frutiger himself has commented: 'Helvetica is the jeans, and Univers the dinner jacket.' Described it as better proportioned for text than Helvetica: 'more original and subtle in its modelling than Helvetica and, because its character spacing was properly done, a better performer in text composition.' Mosley has described its even design as 'rather bland' and noted that Monotype's eccentric, chaotically organised remained popular with more 'iconoclastic' printers in the 1960s. Audi Sans, a variation of Univers used in the dashboard graphics of an instrument panel Univers enjoyed great popularity in the 1960s and 1970s because many corporations adopted it for usage. It is used in a modified version by the new (previously, used the typeface ), and for signage all over the world.

Also was adopted by the organizers for its image and emblem also in. Used the font from 1986 to 2004 before switching to. Previously used this typeface as well as its condensed oblique variant for the keycaps on many of its keyboards, before completely switching to in August 2007 with the introduction of new keyboards and the new iMac (their notebook computers already featured that typeface since 1999). Una Vita Rubata Ebook. Used a custom version of Univers until 2009. Univers is known for its clear lines and at great distances.